Peace Feelers
NIGHT THOUGHTS
i
Each night before I go to sleep I put on my thickest sweater, my climbing boots and snow goggles, because I don’t know where I am going – maybe to climb Mount Everest from the Chinese side.
ii
My wife wears a red polka-dot bikini and carries a parasol because she believes in a different kind of trip, wanting the creamy edges of the Pacific breakers to make the round tour of her beautiful salty body.
iii
Once I bought her some climbing clothes and persuaded her to wear them. We both sweltered together under the noonday sun. A restless night. Next morning she said to me as tactfully as possible: ‘what did I tell you?’ I have to admit she is nearly always right.
iv
Sometimes I take off my crampons, lay my ice-axe neatly by the side of my bed, take off my woolly mittens, wipe the sun-cream off my cheeks with a face-cloth, take off my windbreaker and heavy sweater, take off my cord trousers and long underpants, take off my check shirt and string vest, say hello to my St. Christopher medal and slip it under the bed. My wife is very nice about it and says that ritual is an important element in love-making.
v
I am lonely among these snows. I am sick of the Chinese side. In my sleep I am apolitical. I am lonely with nothing to love but my ice-axe. I am lonely with my sense of humour. The wind roars round the North Col like an express train permanently derailing itself, so loud that even if I tried shouting she wouldn’t hear me on her South Sea island. Half way across the world the wind is drowned in the roar of the Pacific breakers and when I wake for a moment, I am amazed to see that she is sleeping peacefully and smiling.
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PASSAVIA
‘Passavia’ means roughly ‘keep moving’, so
this dog got called Passavia by
the foreign painters who lived in Anticole
because most of them didn’t know any Italian
and the locals never said anything to it but:
‘passa via passa via passa via’.
Like name like nature, always
on the move at
4 or 5 miles an hour
up across down
flights of steps round
and back again past
where they kept the donkeys locked up for the night –
useful animals, donkeys.
Licked up dirty puddle water and the foreigners
took to the animal feeding it on
prime chop-steak, but
it didn’t get any ideas above its station, or
if the bitches were anything to go by,
didn’t have much of a station, never
humped any of them, maybe hadn’t been
taught about humping; or hunting –
not its line either – it would follow the hunters
at a safe distance sometimes
but didn’t seem interested in actually catching anything; it
must have lacked motivation; it was
a weird dog. It couldn’t bark.
No station so
kept moving,
no motivation so
kept moving, an
irrational animal
kept moving by
‘passa via’ said
more or less in its direction
or by a boot
in its direction
kept moving.
(Very rarely across the open sunlit piazza of the village
but alongside the cold shoulders of houses,
an elongated trotting shadow.)
And it was a blurred animal,
black and white spotted, only
more blurred as it got
older or moved faster, and pink
round the mouth, mild pink eyes and patches
of pink where the skin had worn out
and – between the toes – red; and it
gravitated towards the foreigners,
followed them when they got off the bus –
had that much of an instinct
for its own kind – would take
what they gave it without
saying anything, but could sit for hours
being an artist’s model –
only time it seemed to sit anywhere,
because Passavia
was its name
now travelling the
other side of nowhere since
one fine day
when they hadn’t anything to do,
the villagers
stoned it to death
and went and told Ida
who told me this story
four years later.

